Does the grip, the wring, bespeak above all excitement? Though what seems the theatre of it provokes suspicion, not inevitably. A certain libidinal investment in the moment perhaps but that doesn’t preclude sincere fears.

A misapprehension about the memento mori is that they are indifferent to or invested in what they do. It is to some of them rather a source of unending unhappiness, anxiety as great as if every step is further onto ice or some grubby great mirror, and the creaking their mnemonic movements occasion either that ground or their own bones under strain.



rejectamentalist manifesto


China MiĆ©ville’s waste books

. . .


‘A principal rule for writers, and especially those who want to describe their own sensations, is not to believe that their doing so indicates they possess a special disposition of nature in this respect. Others can perhaps do it just as well as you can. Only they do not make a business of it, because it seems to them silly to publicize such things.’


                Georg Christoph Lichtenberg

. . .


London’s Overthrow.

. . .


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