‘She sees the city growing, she sees it growing urged on by its own lively expectations, she sees tall chimneys sprouting like thorns in a field of miracles, clusters of chimneys that hide the sky with their smoke … She sees the towers grow sharp and streets tear themselves up – open wounds, turgid veins through which flows the dark blood of the city. She sees high buildings put their heads in the clouds … The city, the city! If it would only grow all at once, if it would stop swelling like ripe fruit, if its new houses would only catch up with Barbara’s old one … Let the houses just arrive into the garden and devour it in stone, ground up by the great cement jaws of the city until nothing is left but a few, stunted rosebushes.’

Dulce-Maria Loynaz, Jardin (trans. Claudia Lightfoot)



rejectamentalist manifesto


China Miéville’s waste books

. . .


‘A principal rule for writers, and especially those who want to describe their own sensations, is not to believe that their doing so indicates they possess a special disposition of nature in this respect. Others can perhaps do it just as well as you can. Only they do not make a business of it, because it seems to them silly to publicize such things.’


                Georg Christoph Lichtenberg

. . .


London’s Overthrow.

. . .


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